Rubens

Uspeh njegovog predstavljanja javnosti kao majstora najvećeg ateljea u Evropi,poput Rafaela u Rimu,za mnoge je bio nejasan,kao i intenzitet njegovih vizija u takvim delima kao što su skica za Svi Sveti (Muzej Boijmans van Beuningen, Roterdam) i duboka studija za glavu Svetog Jovana,Silazak sa Krsta u Katedrali u Antverpenu,kao i portret njegove porodice i prijatelja ,kao i njegov tretman grandioznosti predela u pejzažima.
Njegov najneposredniji uticaj je bio na ser Anthoni van Dajk, Jakob Jordaens i druge slikare u Flandriji,ali su i mnogi drugi umetnici u skoro svakom periodu reagovali na snagu njegove genijalnosti.On je centralna figura u istoriji zapadne umetnosti.

Pored slikarstva ,Rubens je pokazivao najdublju ljubav prema poeziji koju je konzumirao prilikom svoje druge posete Španiji.Imao je sjajnu kontrolu nad bojom ,i čisto majstorstvo u rukovanju uljanim bojama koje ga razlikuju od Ticijana.U ovim kvalitetima je Rubens bio vodeći,u sjajnim igrama sitnih poteza četkice preko bele podloge malog platna,ali i bogatim potezima četkice na ogromnim platnima na kojima je znao izvoditi majstorske poteze,dugačke i po 6 stopa,što zvuči nepojmljivo.
Rubensov uticaj U flandriji 17. veka je nemerljiv,ali ga je proširio svojim putovanjima i slikama i na druga mesta u Evropi,kao i korz brojne narudžbine koje su u njegovoj radionici urađene za mnoge značajne ljude toga doba,ali njegov uticaj nije ograničen samo na njegovo vreme,već se i vekovima kasnije,možda naizraženije u Francuskoj javlja kod Vatteau, Delakroa i Renoara,koji su bili najveći poštovaoci njegovog dela.

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The Deposition
1602
Oil on canvas, 180 x 137 cm
Galleria Borghese, Rome

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The Deposition (detail)
1602
Oil on canvas
Galleria Borghese, Rome

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Virgin and Child
c. 1604
Oil on panel
Musée des Beaux-Arts, Tours

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The Ecstasy of St Gregory the Great
1608
Oil on canvas, 477 x 288 cm
Musée des Beaux-Arts, Grenoble

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The Martyrdom of St Sebastian
c. 1608
Oil on canvas transferred from panel, 153 x 118 cm
Galleria Corsini, Rome

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St George Fighting the Dragon
1606-10
Oil on canvas, 304 x 256 cm
Museo del Prado, Madrid

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Adoration of the Shepherds
c. 1608
Oil on canvas
St.-Pauluskerk, Antwerp

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St Jerome in His Hermitage
1608-09
Oil on panel, 186 x 136 cm
Schloss Sanssouci, Potzdam

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Annunciation
1609-10
Oil on canvas, 224 x 200 cm
Kunsthistorisches Museum, Vienna

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The Crucified Christ
1610-11
Oil on canvas, 219 x 122 cm
Koninklijk Museum voor Schone Kunsten, Antwerp

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The Entombment
1611-12
Oil on wood, 88 x 66 cm
National Gallery of Canada, Ottawa

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St James the Apostle
1612-13
Oil on panel, 108 x 84 cm
Museo del Prado, Madrid

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The Incredulity of St Thomas
1613-15
Oil on wood, 143 x 123 cm (central panel), 146 x 55 cm (side panels)
Koninklijk Museum voor Schone Kunsten, Antwerp

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St Sebastian
c. 1614
Oil on canvas, 200 x 120 cm
Staatliche Museen, Berlin

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The Lamentation
1614
Oil on wood, 41 x 53 cm
Kunsthistorisches Museum, Vienna

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The Holy Family with Sts Elizabeth and John the Baptist
c. 1614
Oil on panel, 138 x 102 cm
Wallace Collection, London

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The Four Evangelists
c. 1614
Oil on canvas, 224 x 270 cm
Schloss Sanssouci, Potzdam

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The Holy Family with St Elizabeth
1614-15
Oil on wood, 114 x 80 cm
Galleria Palatina (Palazzo Pitti), Florence

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The Virgin and Child with St Elizabeth and the Infant St John the Baptist
c. 1615
Oil on canvas, 151 x 113 cm
Fundación Colección Thyssen-Bornemisza, Pedralbes

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Virgin in Adoration before the Christ Child
c. 1615
Oil on panel, 65 x 50 cm
Rockox House, Antwerp

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The Holy Family with the Basket
c. 1616
Oil on panel, 169 x 128 cm
Picture Gallery, Potzdam-Sanssouci

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The Stigmatization of St Francis
c. 1616
Oil on canvas, 382 x 243 cm
Wallraf-Richartz Museum, Cologne

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Christ Resurrected
c. 1616
Oil on canvas, 183 x 155 cm
Galleria Palatina (Palazzo Pitti), Florence

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The Martyrdom of St Stephen
1616-17
Oil on canvas, 437 x 278 cm
Musée des Beaux-Arts, Valenciennes

Od 1615. godine ,pa nadalje ,na Rubensove slike se vraća više emocija,i reljef je kao stil bio zamenjen jakom dominacijom prostora i dijagonalne kompozicije.
Pored svetovnih slika sa scenama mitološkog karaktera i scenama lova,Rubens slika i mnoge oltarne slike na kojima se ističe dinamična kompozicija.Na ovim slikama postepeno menja karakter ikone,kao što je to slučaj u ranijim delima ,u dinamične kompozicije u kojima se ističe retorička izražajnost.


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Small Last Judgement
-
Oil on wood, 183,3 x 119 cm
Alte Pinakothek, Munich

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Descent from the Cross
1616-17
Oil on canvas, 425 x 295 cm
Musée des Beaux-Arts, Lille

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Lamentation of Christ
1617-18
Oil on panel, 138 x 98 cm (central panel), 137 x 48 cm (each side panel)
Koninklijk Museum voor Schone Kunsten, Antwerp

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Detalj
Lamentation (Christ on the Straw)
1617-18
Oil on panel, 138 x 98 cm
Koninklijk Museum voor Schone Kunsten, Antwerp

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Descent from the Cross
1617-18
Oil on canvas, 297 x 200 cm
The Hermitage, St. Petersburg

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Adoration of the Magi
1618-19
Oil on canvas, 245 x 325 cm
Musée des Beaux-Arts, Lyon

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Miracles of St Ignatius
1615-20
Oil on canvas, 400 x 275 cm
Chiesa del Gesu, Genoa